- Видео 139
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Christopher Brellochs
Добавлен 19 дек 2006
DR. B, aka Dr. Christopher Brellochs (educator & saxophonist) has taught collegiate music theory for 23 years! He teaches saxophone at Vassar College and is Dean of the School of Music at SUNY Schenectady. He received his doctorate in music from Rutgers University, masters from New York University, and bachelors from Ithaca College.
This channel maintains playlists: "Dr. B Music Theory," "Dr. B Ear Training," and "Music of the Gilded Age."
Current projects include the research and performance of music from late 19th century America in the actual mansions of that time; he was involved in HBO's filming of the new series, "The Gilded Age."
This channel maintains playlists: "Dr. B Music Theory," "Dr. B Ear Training," and "Music of the Gilded Age."
Current projects include the research and performance of music from late 19th century America in the actual mansions of that time; he was involved in HBO's filming of the new series, "The Gilded Age."
Видео
Gilded Melodies: 19th century opera arias and fantasies
Просмотров 693Год назад
19th century opera arias and the fantasies they inspired for saxophone and piano; music from Donizetti, Bellini, Massenet, and Mayeur performed by Ann Marie Adamick, mezzo, Dr. Elizabeth Gerbi, soprano, Dr. Christopher Brellochs, saxophone, and Max Caplan, piano. Original Program: Lucrezia Borgia: Nella fatal di Rimini (1833) [4:30] by Gaetano Donizetti (1797-1848) Fantaisie Brillante sur de Lu...
Music of the Gilded Age Live at Glen Eddy
Просмотров 1,7 тыс.2 года назад
Recorded November 23, 2021 as part of the SUNY Schenectady School of Music "On the Road" at Glen Eddy series. Website: www.christopherbrellochs.com RUclips: ruclips.net/user/cbrellochs Facebook: groups/MusicoftheGildedAge/ Instagram: musicofthegildedage
ANSWERS FOR #6 Ear Training Edition
Просмотров 1,5 тыс.2 года назад
Make sure to take the FINAL EXAM at the link below BEFORE watching this video: ruclips.net/video/wNFR2nssx7o/видео.html Dr. B Music Theory: Ear Training Edition #6 FINAL EXAM 12 x 2 pts ea = 24 Simple Intervals (A, P, M, m, d) - 3 hearings a. played melodically ascending and descending, as well as harmonically b. possible answers = m2, M2, m3, M3, P4, tritone, P5, m6, M6, m7, M7, P8 Ascending 1...
Ear Training Edition #6
Просмотров 8872 года назад
Dr. B Music Theory: Ear Training Edition #6 FINAL EXAM 12 x 2 pts ea = 24pts Simple Intervals (A, P, M, m, d) - 3 hearings a. played melodically ascending and descending, as well as harmonically b. possible answers = m2, M2, m3, M3, P4, tritone, P5, m6, M6, m7, M7, P8 Ascending Descending Harmonically 8 x 2pts ea = 16pts Triads in root position, 1st or 2nd inversion (A, M, m, d) - 3 hearings a....
Ear Training Edition #5
Просмотров 7863 года назад
Dr. B Music Theory: Ear Training Edition #5 Quiz To practice use Teoria.com Triads in root position, 1st or 2nd inversion (A, M, m, d) - 3 hearings a. played in an SATB four part voicing with standard doubling b. using both open and closed voicings (5) 3 pts each Seventh Chords in root position (MM7, Mm7, mm7, dm7, dd7) - 3 hearings a. played in an SATB four part voicing with standard doubling ...
ANSWERS FOR #5 Ear Training Edition
Просмотров 6913 года назад
Make sure to take the QUIZ at the link below before watching this video: ruclips.net/video/NBEdhs3fE80/видео.html Dr. B Music Theory: Ear Training Edition #5 Quiz To practice use Teoria.com Triads in root position, 1st or 2nd inversion (A, M, m, d) - 3 hearings a. played in an SATB four part voicing with standard doubling b. using both open and closed voicings 3 pts each 1. M6 2. A 3. m6/4 4. d...
ANSWERS FOR #4 Ear Training Edition
Просмотров 5563 года назад
Make sure to take the QUIZ at the link below before watching this video: ruclips.net/video/-RbpgyYtBoI/видео.html Dr. B Music Theory: Ear Training Edition #4 Quiz To practice use Teoria.com Triads in root position, 1st or 2nd inversion (A, M, m, d) - 3 hearings a. played in an SATB four part voicing with standard doubling b. using both open and closed voicings 1. A 2. m6 3. M6/4 4. d6 5. m 6. M...
Ear Training Edition #4
Просмотров 5963 года назад
Dr. B Music Theory: Ear Training Edition #4 Quiz To practice use Teoria.com Triads in root position, 1st or 2nd inversion (A, M, m, d) - 3 hearings a. played in an SATB four part voicing with standard doubling b. using both open and closed voicings Seventh Chords in root position (MM7, Mm7, mm7, dm7, dd7) - 3 hearings a. played in an SATB four part voicing with standard doubling b. using both o...
ANSWERS FOR #3 Ear Training Edition
Просмотров 4993 года назад
Make sure to take the QUIZ at the link below before watching this video: ruclips.net/video/I-ypH_y2Buk/видео.html Dr. B Music Theory: Ear Training Edition #3 Quiz To practice use Teoria.com Simple & Compound Intervals (A, P, M, m, d) - 3 hearings a. played melodically ascending and descending, as well as harmonically b. possible answers = m2, M2, m3, M3, P4, tritone, P5, m6, M6, m7, M7, P8 Asce...
Ear Training Edition #3
Просмотров 6093 года назад
STUDENT: "Dr. B, why is that a rule in music theory?" DR. B: "Because of the combination of acoustics and psychology; how the music 'sounds' always came before the rules." How well can you hear how music sounds? Test yourself with Ear Training Edition #3! New in this video are compound intervals, along with more triads in root position, 1st or 2nd inversion and melodic dictation in major and mi...
Ear Training Edition #2
Просмотров 1,2 тыс.3 года назад
Ears are for hearing inspiration, and theory is for craftsmanship when inspiration runs out before the piece is completed. It is very easy to concentrate on Music Theory and neglect to develop our ears. Test yourself with Ear Training Edition #2. Dr. B Music Theory: Ear Training Edition #2 Quiz To practice use Teoria.com Simple Intervals (A, P, M, m, d) - 3 hearings a. played melodically ascend...
ANSWERS FOR #2 Ear Training Edition
Просмотров 7223 года назад
Make sure to take the QUIZ at the link below before watching this video: ruclips.net/video/8HyTVDGIXF8/видео.html Dr. B Music Theory: Ear Training Edition #2 Quiz To practice use Teoria.com Simple Intervals (A, P, M, m, d) - 3 hearings a. played melodically ascending and descending, as well as harmonically b. possible answers = m2, M2, m3, M3, P4, tritone, P5, m6, M6, m7, M7, P8 Ascending 1. m6...
ANSWERS FOR #1 Ear Training Edition
Просмотров 2,3 тыс.3 года назад
Make sure to take the QUIZ at the link below before watching this video: ruclips.net/video/u-V97vHm14k/видео.html Dr. B Music Theory: Ear Training Edition #1 Quiz To practice use Teoria.com Simple Intervals (A, P, M, m, d) - 3 hearings a. played melodically ascending and descending, as well as harmonically b. possible answers = m2, M2, m3, M3, P4, tritone, P5, m6, M6, m7, M7, P8 Ascending 1. tr...
Dr. B Ear Training Edition #1
Просмотров 6 тыс.3 года назад
Dr. B Music Theory: Ear Training Edition #1 Quiz & Strategies to Develop Your Ear To practice more use Teoria.com Simple Intervals (A, P, M, m, d) - 3 hearings a. played melodically ascending and descending, as well as harmonically b. possible answers = m2, M2, m3, M3, P4, tritone, P5, m6, M6, m7, M7, P8 Triads in root position (A, M, m, d) - 3 hearings a. played in an SATB four part voicing wi...
J.B. Singelee, 6e SOLO DE CONCERT, Op. 92
Просмотров 5 тыс.3 года назад
J.B. Singelee, 6e SOLO DE CONCERT, Op. 92
History of Music: Franz Liszt (1811-1886)
Просмотров 2 тыс.3 года назад
History of Music: Franz Liszt (1811-1886)
Ask Dr. B About Music Theory, Episode 20 (Fux & Mozart)
Просмотров 1,5 тыс.3 года назад
Ask Dr. B About Music Theory, Episode 20 (Fux & Mozart)
Ask Dr. B About Music Theory, Episode 19 (Philosophical Questions About Music Theory)
Просмотров 2,6 тыс.3 года назад
Ask Dr. B About Music Theory, Episode 19 (Philosophical Questions About Music Theory)
Dr. B Music Theory Lesson 49 (Beyond the Basics: Dominant chords with the substituted 6th)
Просмотров 2,9 тыс.3 года назад
Dr. B Music Theory Lesson 49 (Beyond the Basics: Dominant chords with the substituted 6th)
Dr. B Music Theory Lesson 48 (Enharmonic Spellings & Modulation, Part 1)
Просмотров 2,1 тыс.3 года назад
Dr. B Music Theory Lesson 48 (Enharmonic Spellings & Modulation, Part 1)
Dr. B Music Theory Lesson 48 (Enharmonic Spellings & Modulation, Part 2)
Просмотров 1,2 тыс.3 года назад
Dr. B Music Theory Lesson 48 (Enharmonic Spellings & Modulation, Part 2)
Next Dr. B Music Theory on February 27, 2021
Просмотров 4433 года назад
Next Dr. B Music Theory on February 27, 2021
Antonin Dvorak, Symphony #9, From the New World, IV.
Просмотров 6163 года назад
Antonin Dvorak, Symphony #9, From the New World, IV.
"Ask Dr. B About Music Theory" Jingle
Просмотров 7783 года назад
"Ask Dr. B About Music Theory" Jingle
THIS IS NOT A REAL CELEBRITY ENDORSEMENT
Просмотров 1 тыс.4 года назад
THIS IS NOT A REAL CELEBRITY ENDORSEMENT
This inspires me. as a 20yr old music freak, as a composer, and as an aspiring teacher. Love you, Prof! Love your lecs!
Thank you from 2024!! Brushing up on theory before Berklee!
Thank you so much sir... The world need people like you♥️♥️
Tertian harmony (also called tertiary harmony. Is this what you meant?
I love these formulas so much. Before these vids I'd imagine shifting the circle of 5th to derive the minor keys from the major keys. I like this way more.
Sir, you give me a free theory class, thank you.
Would kill to listen to you analyze a song like In Bloom by Nirvana or a Beatles song if you’re into that and How to Disappear Completely by Radiohead. Love these videos!
Ok first thing C to F is 4th and it's the circle of fifth you're teaching. How and why?
Dr B please please please upload more videos I’m dying to learn music from you. You are so good at it damn 😭😭😭
had to give consonants and dissonants another 20 minutes to actually understand it
im not a beginner but a self-learnt musician and this really makes me feel I'm getting where I need to be
I have been writing my Major Scales and doing the step by step process for almost a year now it’s like magic everything make sense Triad Chords and 7th Chords pretty much everything. Thank you Dr.B!
Dear Dr.B ,I can’t Thank you enough for your kindness to spread knowledge for free to all of us. You make music theory so much fun and nourishing to the soul like the great music theorists and Philosopher Al-Farabi said “ and through knowledge one can achieve happiness” Thank you 🙏🏻
25:45 this is the most replayed (therefore, most misunderstood) part of this video, which is the explanation of applying the Descending Melodic Minor formula. It’s the only part I also didn’t understand. I think it’s because Dr B. left the Ascending Melodic Minor scale there, and didn’t start from scratch again with writing out the Gb Major Scale that we are applying the formula to. For anyone else confused, just rewind to 23:36, and pretend to apply the Descending Melodic Minor formula (lower the 3rd, 6th, and 7th notes), and then you can go back to 25:45 and it will make more sense. Dr. B, I still don’t understand why, at 26:42, you chose to work backwards to explain “on the way down”, but I’m happy to leave that, and I’m sure I’ll understand it after learning more. Many thanks for these videos!
Hi @JaydenLawson, I appreciate the detailed evaluation. I'm always looking for the best way to explain music theory with the least chance of misunderstanding. You make a good point and thanks for offering a way that might help other viewers understand. Best wishes, Dr. B
@@ChristopherBrellochs thank you, and your dedication to these replies, after so long, is truly inspirational. I wish you great joy and success from all the effort!
this is hard
Yes, it is. I had so many students think they understood this material during class but got stuck when they went to do the homework. That's one of the reasons I made this video - it often takes a couple times to hear this info before it makes sense. I also recommend playing the scales and intervals on a keyboard so you can see and hear it at the same time. Best wishes, Dr. B
@@ChristopherBrellochs thank you for the kind comment, I will take your advice. I will most definitely need to rewatch these too. Thank you Dr. B.
With that much restriction, I think my composition is virtually ready!
it's also in Steve Taylor's song "It's Harder To Believe Than Not To"; ruclips.net/video/-l42chS9glw/видео.html
I can't explain how much I needed this. Thanks a lot professor❤
Seven years ago! lol, I just found this and you explained it so well! Thank you. I really like how you are whiteboarding and writing these out as real lessons. Thank you so much.
Any suggestions for how we can test our understanding of these concepts?
No (other) church modes in classical music?
Awesome to hear you talk about punk rock! Would love for you to check out the albums My War by Black Flag and Fun House by The Stooges. And the Buzzcocks compilation album Singles Going Steady is pretty great! 🙏🏼
Neapolitan chord in minor Neapolitan minor 1 b2 b3 4 5 b6 7 Neapolitan chord in major Double harmonic major 1 b2 3 4 5 b6 7 Other scales: Locrian nat 7 1 b2 b3 4 b5 b6 7 Persian 1 b2 3 4 b5 b6 7 Any scales that contain the intervals b2 4 b6 7 Ionian Aug b2 1 b2 3 4 #5 6 7
Thank you, thank you!🙏🏼
Thumbs up!
Thanks, I'm glad you liked the video. Best wishes, Dr. B
Can you advice me a book with the music theory you teach?
Can you make another video. I can't understand😢.
Melody harmonization can be very tricky. At the most basic level you only need three chords to harmonize ANY diatonic melody: I - IV - V. For "traditional" classical music you'd avoid V going to IV but everything else is fair game. Try some exercise with that, or take a common melody like "Happy Birthday" and see what sounds "right" just using I, IV, and V. Also, keep watching my videos (in order), including my "Ask Dr. B" series as there may be a few things that help you in them. Best wishes, Dr. B
goin g into MUS Theory 3 getting a head start by watching your lecture!!
It is always a good idea to get a head start. Good luck, Dr. B
@@ChristopherBrellochs do yo do private lessons?
@@AViationMusikGroup Not usually since I have so many projects: Dean of the School of Music at SUNY Schenectady, saxophone professor at Vassar College, consulting on historic music projects, and performing! Every now and then I do online private lessons but my rates are pretty high. Email/message me directly if you want more info. Thanks, Dr. B
We Love Dr B!!! we appreciate the depth and detail....a true educator!!!!
I love my students (both online and in-person) and want them to achieve all their musical dreams. I'm so happy you're finding my videos useful. Best wishes, Dr. B
It’s easier if you use Fat Cat system so you don’t have to memorise the scales. It’s a much better tool and easier to use quickly. Same with BeadGCF. Happy to share the concept
Share away please! 🙏
At 25:35 isn’t there an example of a hidden 5th between the outer voices ? Thank you very much
The leap is done by the bass but still isn’t it a direct/hidden fifth between S and B? Thank you
I think my issue understanding this is how on earth did people ever figure this stuff out? I can memorize, but it's so crazy how music just works like this so visually simple but mathematically complex
For me it makes think there had to be a God who made us, it's all too complex to have just happened. The Bible even talks about God singing: Zephaniah 3:17 "The Lord your God is with you, the Mighty Warrior who saves. He will take great delight in you; in his love he will no longer rebuke you, but will rejoice over you with singing.”
@@NathanJosiahOfficialstfu. You’re looking at thousands of years of human knowledge and figure out stuffs and saying we’re too dumb to come up with this. You’re the dumb one who can’t comprehend these concepts.
31:38 Man this is so true. I have so many unfinished ideas and fragments because I never took the time to craft them out to completion. Having these tools is very helpful to flesh out ideas beyond just the initial raw creativity. I've also read many books on theory and these videos are clearer and more concise than anything I've seen.
Hello Dr. B. Thank You very much for teaching music theory, You are an amazing teacher. You are truly a blessing to the entire music community. Is there any chance You could teach grade 1-5 full course in the future? Best regards, best wishes, and lots of love from Poland.
How would you differentiate between a V7/IV and a regular C7 for instance?
I love Dr B
This rules are pure gold to make studies (études) with only one main focus and avoiding in the same moment all kind of "smart musical events" on other aspects of musicmaking. Yes, this all makes sense to me, as an autodidact music composer.
Thanks for the comment. Best wishes, Dr. B
I barely scraped by to pass my theory 2 class so my teacher admonished me to study this stuff over the summer. Thank you!
THANKS❤❤
Agree, very complex!
I am pretty sure that the book and audio examples are from "Tonal Harmony" by Kostka, Payne & Almen if you want to follow along (I have the 7th edition with CD.). Thanks for the lessons Dr.
You are correct. Thanks for pointing that out; I know some people will find that helpful. Best wishes, Dr. B
Finally! Its the perfect explanation! I wanted so bad to learn this. Thanks!
Harmoni progression can be hard to learn but I worked for years trying to figure out how to explain it as clearly as possible. I'm so glad it worked! Best wishes, Dr. B
Lovely
Thanks.
That music is the final chorale setting from Cantata BWV140, not 179. Probably the first or second most popular of Bach's church cantatas.
Hey Dr B! I just got a typewriter and I’ve been typing all my longhand notes from your lectures! I think I’m coming along with my part writing 👍
Watching this a beginner learning music theory, every second is a gold mine of knowledge, I can feel myself getting stronger with every word that’s said. Saving my life with easy to digest yet important information taught in such a coherent way. Thank you!
I'm so happy you find my video helpful. Thanks for the comment. Best wishes, Dr. B
What about the leading tones in the viiº6 and penultimate V?
The leading tone must resolve up by step when viio6 or V resolve to I ONLY if it is in an outer voice (soprano or bass). When the leading tone is in an inner voice it is not as obvious to the listener's ear and can skip down which often allows smoother voice leading in the outer voices where it matters more since they are more obvious to the listener's ear. I hope that helps, Dr. B
As a beginner i felt this video was very easy to follow and also think you managed to maintain this video very informative to advanced composers as well. Thank you so very much. I wish you all the best.
I'm so glad you found my video useful. Sincerely, Dr. B
These are only the basic cadences in the common practice. There are much more.
So true. I should do another video and cover all cadences. Thanks for the idea. Best wishes, Dr. B
Hi! thank you so much for these excellent lectures! I was wondering if theres also a lecture on the different modes and how to analyze and construct them?
I'm so glad you like my lectures. I have two videos on modes - I hope they help: Ask Dr. B About Music Theory, Episode 3 (Modes & Mode Mixture) ruclips.net/video/is6tzPsNqeM/видео.htmlsi=8i0Ti7lJ31IyYz3g How Do Different Modes Feel? ruclips.net/user/liveVm2oYzoEIOo?si=7njxcXAjAoJkymAa
@@ChristopherBrellochs Wow, amazing! thank you so much. prieceless.